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Most teen Disney heroes have got nothing on David Archuleta.

The 17-year-old “American Idol” contender has one of those once-in-a-decade pop voices: A silky tenor with a natural melancholy that makes him a heartbreaker by default.

Billboard praised David Archuleta, calling it "charming" and filled with performances "meant for arenas." It also credited Archuleta as having a "once-in-a-decade pop voice: A silky tenor with a natural melancholy." Ken Barnes of USA Today gave the album a positive review saying, "On American Idol runner-up David Archuleta’s first, self-titled album, the 17-year-old singer delivers a non-stop succession of polite pop songs swathed in gauzy cotton-candy textures and catchy choruses.

And that's exactly what he should be doing." The New York Times writes "(Archuleta) has a lovely, foggy R&B voice out of scale with his small body".

Scott’s bandmates bring an abundance of style and depth to the recording, as heard on “Anthem.” Pianist Aaron Parks and guitarist Matthew Stevens deliver lovingly phrased solos that enhance the pensive feel of the tune.

The first single, "Crush", was released to radio on August 1. The UK album release was set to coincide with his UK tour with Rock/Pop band Mc Fly in April/May 2009.

“Pray Me Back Home Again,” written in the wake of 9/11, and “Braid My Hair,” about a young cancer victim, provide the album’s most poignant moments.

The I-done-her-wrong “Like I Never Broke Her Heart” is solid and radio-friendly, and the sexually charged “Slow and Steady” finds Owen channeling Conway Twitty’s “I’d Love to Lay You Down.” Is there such a thing as being too smooth?

The insightful “Fifteen” (“In your life you’ll do greater things than dating a boy on the football team”) will connect with teens looking for hope and with adult women looking back, while the sparse “White Horse” will appeal to anyone who’s experienced love lost, which is to say, everyone.

“Hey Stephen” (“All those other girls, they’re beautiful but would they write a song for you”) displays Swift’s confident sense of humor, and “Breathe” (written with Colbie Caillat, who sings on the track) is a love-gone-wrong song suitable for women of all ages.

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From a technical standpoint, the album sounds fabulous, but what will most seduce the listener is Scott’s sound.

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